|
"The Beast is a
truly theatrical character from a dream play brought
beautifully to life in a silver and black costume,
finally metamorphosing like an Ovidian icon into a
handsome hero. David Lyndon puts in an intensely
powerful performance here and when he emerged after
his transformation, a wonderful appreciative adult
female sigh swept the audience, as did a warm round
of applause! However, to prove that this also worked
for perceptive children (and there are more than
you’d think) you only had to look around the theatre
to see how tiny jaws chewing firmly on this or that
suddenly stopped in awe when the Beast was
transformed by Rose’s love. And how the children
cheered along; and how happy I was to brush away a
genuine tear and join in." |
|
Richard Edmonds,
Birmingham Post |
|
|
|
"David
Lyndon’s Konstantin is subtle and intelligent with a
moving quality to the playing which makes the final
melancholy scene with Polly Hayes' Nina deeply
pitiful. Her supple, open manner points up the
contrast with Konstantin’s buttoned-up misery which
stoops and bends his body in anguished realisation
and propels him towards the dramatic, but tragic
finale." |
|
Ann
Fitzgerald, The Stage |
|
|
|
"David Lyndon’s
Prince Charming was a real dashing hero with strong
presence and a super singing voice; his duets with
Cinderella made for some magical moments." |
|
Cliff Bendall,
Eastbourne Herald
|
|
|
|
|
"With
his confident singing and considerable stage
presence as gambler-in-love Sky Masterson, David
Lyndon is a name to bet on for future success." |
|
Marie Lewis, The Stage |
|
|
 |
