"David Lyndon’s Konstantin is subtle and intelligent with a moving quality to the playing which makes the final melancholy scene with Polly Hayes' Nina deeply pitiful. Her supple, open manner points up the contrast with Konstantin’s buttoned-up misery which stoops and bends his body in anguished realisation and propels him towards the dramatic, but tragic finale."

     Ann Fitzgerald, The Stage and Television Today

"The Beast is a truly theatrical character from a dream play brought beautifully to life in a silver and black costume, finally metamorphosing like an Ovidian icon into a handsome hero. David Lyndon puts in an intensely powerful performance here and when he emerged after his transformation, a wonderful appreciative adult female sigh swept the audience, as did a warm round of applause! However, to prove that this also worked for perceptive children (and there are more than you’d think) you only had to look around the theatre to see how tiny jaws chewing firmly on this or that suddenly stopped in awe when the Beast was transformed by Rose’s love. And how the children cheered along; and how happy I was to brush away a genuine tear and join in."

   Richard Edmonds, Birmingham Post

"The Fairy Godmother played by Wendy Craig was truly enchanting and David Lyndon’s Prince Charming was a real dashing hero with strong presence and a super singing voice; his duets with Cinderella made for some magical moments."

     Cliff Bendall, Eastbourne Herald

"An arresting performance from David Lyndon as Jaques, whose immaculate handling of the Ages of Man verses provided a moment of sheer beauty as they rang out in the hushed evening twilight."

    Richard Edmonds, The Stage and Television Today

"Lucy Robinson’s elegant Portia was for once matched in strength by her Bassanio – a real charmer from the impossibly handsome David Lyndon."
   JK, Evesham Journal